Stephanie Dinkins challenges the racialized AI space by highlighting Black ethos and cultural cornerstones
At the Plaza at 300 Ashland Place in downtown Brooklyn, patrons mill around a large yellow shipping container with black triangles painted on its side. A nod to the flying geese quilt pattern, which may have served as a coded message for enslaved people escaping to freedom along the Underground Railroad, the design and container serve as a bridge between the past and the future of the African diaspora. At the center of the art project by the Brooklyn-based transmedia artist Stephanie Dinkins, a large screen displays artificial intelligence (AI) generated images that showcase the diversity of the city.
Commissioned by the New York-based art non-profit More Art and designed in collaboration with the architects LOT-EK, the AI laboratory If We Don’t, Who Will? will be on display until 28 September. It seeks to challenge a white-dominated generative-AI space by highlighting Black ethos and cultural cornerstones.
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Stephanie Dinkins challenges the racialized AI space by highlighting Black ethos and cultural cornerstones
At the Plaza at 300 Ashland Place in downtown Brooklyn, patrons mill around a large yellow shipping container with black triangles painted on its side. A nod to the flying geese quilt pattern, which may have served as a coded message for enslaved people escaping to freedom along the Underground Railroad, the design and container serve as a bridge between the past and the future of the African diaspora. At the center of the art project by the Brooklyn-based transmedia artist Stephanie Dinkins, a large screen displays artificial intelligence (AI) generated images that showcase the diversity of the city.
Commissioned by the New York-based art non-profit More Art and designed in collaboration with the architects LOT-EK, the AI laboratory If We Don’t, Who Will? will be on display until 28 September. It seeks to challenge a white-dominated generative-AI space by highlighting Black ethos and cultural cornerstones. Continue reading…Technology | The Guardian