Double Fine’s latest is a whimsical action-adventure that takes inspiration from real-life biology as much as cult fantasy movies from the 1980s
Keeper is staking a bold claim to be the oddest game ever published by Microsoft. The setting is weird: an iridescent, far-future imagining of New England where organic and non-organic matter mingle in strange, alchemical ways. And the characters are undeniably quirky: one is a bird called Twig whose beak is made from driftwood. Strangest of all: you play as a lighthouse that has inexplicably become animate, sprouting tiny, spindly little legs to carry its wibbling, wobbling body.
In the sea of action-hero young men and, to a lesser degree, women, the lighthouse stands out as an unlikely star. Creative lead Lee Petty is a little fuzzy on the details of how it came to be. Rather, he talks about the creation of the protagonist as he does the broader action-adventure experience: as if it rose out of his subconscious. Despite the ostensible absurdity, Petty believes there is a certain intuition about it. “You have a light, and light has a very strong connection with life,” he says. “You can imagine the verbs for the player, and the actions, puzzles, mechanics that fall out of that.”
Continue reading…
Double Fine’s latest is a whimsical action-adventure that takes inspiration from real-life biology as much as cult fantasy movies from the 1980s
Keeper is staking a bold claim to be the oddest game ever published by Microsoft. The setting is weird: an iridescent, far-future imagining of New England where organic and non-organic matter mingle in strange, alchemical ways. And the characters are undeniably quirky: one is a bird called Twig whose beak is made from driftwood. Strangest of all: you play as a lighthouse that has inexplicably become animate, sprouting tiny, spindly little legs to carry its wibbling, wobbling body.
In the sea of action-hero young men and, to a lesser degree, women, the lighthouse stands out as an unlikely star. Creative lead Lee Petty is a little fuzzy on the details of how it came to be. Rather, he talks about the creation of the protagonist as he does the broader action-adventure experience: as if it rose out of his subconscious. Despite the ostensible absurdity, Petty believes there is a certain intuition about it. “You have a light, and light has a very strong connection with life,” he says. “You can imagine the verbs for the player, and the actions, puzzles, mechanics that fall out of that.” Continue reading…Technology | The Guardian