{"id":17353,"date":"2025-01-18T14:37:21","date_gmt":"2025-01-18T13:37:21","guid":{"rendered":"http:\/\/costops.com\/index.php\/2025\/01\/18\/a-lot-of-chaos-quickly-panic-grips-us-music-industry-as-kingmaker-tiktok-faces-ban\/"},"modified":"2025-01-18T14:37:21","modified_gmt":"2025-01-18T13:37:21","slug":"a-lot-of-chaos-quickly-panic-grips-us-music-industry-as-kingmaker-tiktok-faces-ban","status":"publish","type":"post","link":"http:\/\/costops.com\/index.php\/2025\/01\/18\/a-lot-of-chaos-quickly-panic-grips-us-music-industry-as-kingmaker-tiktok-faces-ban\/","title":{"rendered":"\u2018A lot of chaos, quickly\u2019: panic grips US music industry as \u2018kingmaker\u2019 TikTok faces ban"},"content":{"rendered":"<p>Labels and artists forced to rethink marketing strategies as viral hit-making app faces possible US shutdown on Sunday<\/p>\n<p>On a recent Monday morning, Olivia Shalhoup opened her laptop and steeled herself for a day of meetings. Around 40% of her work as the founder of Amethyst, a marketing and PR agency, focuses on helping musicians navigate <a href=\"https:\/\/www.theguardian.com\/technology\/tiktok\">TikTok<\/a>. On this particular day, the fate of the app in the US hung in the balance, with a <a href=\"https:\/\/www.theguardian.com\/technology\/2025\/jan\/10\/us-supreme-court-tiktok-ban-sale-bill\">supreme court<\/a> ruling looming, and her clients were tense. \u201cThe big thing we were talking about in every single call is: \u2018What are we going to do?\u2019\u201d Shalhoup said. \u201cTo say that TikTok is crucial to artist campaigns right now is an understatement. No one is immune from this.\u201d<\/p>\n<p>Since its debut in 2017, TikTok has become a star-making machine, as short-form video content has eclipsed traditional forms of music promotion such as TV and radio. The app has the power to make <a href=\"https:\/\/www.theguardian.com\/music\/2019\/apr\/27\/fight-for-your-right-to-yeehaw-lil-nas-x-and-countrys-race-problem\">rising<\/a> <a href=\"https:\/\/www.theguardian.com\/music\/2023\/nov\/11\/pinkpantheress-boys-liar-ice-spice-heaven-knows-interview\">artists<\/a> into <a href=\"https:\/\/www.billboard.com\/music\/country\/bailey-zimmerman-country-power-players-rookie-of-the-year-interview-1235344097\/\">A-listers<\/a>, propel their ascent to the <a href=\"https:\/\/www.billboard.com\/pro\/megan-thee-stallion-savage-challenge-hot-100-rb-hip-hop-songs\/\">top <\/a><a href=\"https:\/\/www.billboard.com\/pro\/doja-cat-nicki-minaj-say-so-number-one\/\">of the charts<\/a>, and turn Magic FM staples like Running Up That Hill into <a href=\"https:\/\/www.theguardian.com\/music\/2022\/jun\/17\/kate-bush-uk-no-1-running-up-that-hill#:~:text=%E2%80%9CRunning%20Up%20That%20Hill%20has,popularity%20over%20an%20extended%20period.%E2%80%9D\">gen alpha<\/a> <a href=\"https:\/\/www.billboard.com\/pro\/fleetwood-mac-dreams-streams-sales-bump-tiktok-clip\/\">hits<\/a>. With the help of TikTok, Lil Nas X turned the $30 beat of Old Town Road into a career-making smash, while dance challenges drove Doja Cat\u2019s Say So and Megan Thee Stallion\u2019s Savage to No 1 in the US. More recently, songs like Djo\u2019s End of Beginning and Artemas\u2019s I Like the Way You Kiss Me became global smashes after going viral on the app. The ability to track a song\u2019s stickiness, engagement and reach is something like a label executive\u2019s dream, offering what the author John Seabrook <a href=\"https:\/\/www.newyorker.com\/magazine\/2022\/12\/12\/so-you-want-to-be-a-tiktok-star\">has called<\/a> \u201creal-time global callout data\u201d, which in turn helps bigwigs make smart deals.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/technology\/2025\/jan\/18\/us-tiktok-ban-music-industry\">Continue reading&#8230;<\/a><br \/>\n<img src=\"https:\/\/i.guim.co.uk\/img\/media\/eafafa7b42a763cb3ff8c5d60583b10d0e4b3aa7\/0_518_5000_3000\/master\/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=31131448c5555a950044b5d6175b3d01\" title=\"\u2018A lot of chaos, quickly\u2019: panic grips US music industry as \u2018kingmaker\u2019 TikTok faces ban\" \/>Labels and artists forced to rethink marketing strategies as viral hit-making app faces possible US shutdown on Sunday<br \/>\nOn a recent Monday morning, Olivia Shalhoup opened her laptop and steeled herself for a day of meetings. Around 40% of her work as the founder of Amethyst, a marketing and PR agency, focuses on helping musicians navigate TikTok. On this particular day, the fate of the app in the US hung in the balance, with a supreme court ruling looming, and her clients were tense. \u201cThe big thing we were talking about in every single call is: \u2018What are we going to do?\u2019\u201d Shalhoup said. \u201cTo say that TikTok is crucial to artist campaigns right now is an understatement. No one is immune from this.\u201d<br \/>\nSince its debut in 2017, TikTok has become a star-making machine, as short-form video content has eclipsed traditional forms of music promotion such as TV and radio. The app has the power to make rising artists into A-listers, propel their ascent to the top of the charts, and turn Magic FM staples like Running Up That Hill into gen alpha hits. With the help of TikTok, Lil Nas X turned the $30 beat of Old Town Road into a career-making smash, while dance challenges drove Doja Cat\u2019s Say So and Megan Thee Stallion\u2019s Savage to No 1 in the US. More recently, songs like Djo\u2019s End of Beginning and Artemas\u2019s I Like the Way You Kiss Me became global smashes after going viral on the app. The ability to track a song\u2019s stickiness, engagement and reach is something like a label executive\u2019s dream, offering what the author John Seabrook has called \u201creal-time global callout data\u201d, which in turn helps bigwigs make smart deals. Continue reading&#8230;Technology | The Guardian<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Labels and artists forced to rethink marketing strategies as viral hit-making app faces possible US shutdown on Sunday On a recent Monday morning, Olivia Shalhoup opened her laptop and steeled herself for a day of meetings. Around 40% of her work as the founder of Amethyst, a marketing and PR agency, focuses on helping musicians &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"http:\/\/costops.com\/index.php\/2025\/01\/18\/a-lot-of-chaos-quickly-panic-grips-us-music-industry-as-kingmaker-tiktok-faces-ban\/\"> <span class=\"screen-reader-text\">\u2018A lot of chaos, quickly\u2019: panic grips US music industry as \u2018kingmaker\u2019 TikTok faces ban<\/span> Read More &raquo;<\/a><\/p>\n","protected":false},"author":0,"featured_media":17354,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts\/17353"}],"collection":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/comments?post=17353"}],"version-history":[{"count":0,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts\/17353\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/media\/17354"}],"wp:attachment":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/media?parent=17353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/categories?post=17353"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/tags?post=17353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}