{"id":22785,"date":"2026-04-21T14:37:20","date_gmt":"2026-04-21T12:37:20","guid":{"rendered":"http:\/\/costops.com\/index.php\/2026\/04\/21\/why-are-respected-film-makers-suddenly-embracing-ai\/"},"modified":"2026-04-21T14:37:20","modified_gmt":"2026-04-21T12:37:20","slug":"why-are-respected-film-makers-suddenly-embracing-ai","status":"publish","type":"post","link":"http:\/\/costops.com\/index.php\/2026\/04\/21\/why-are-respected-film-makers-suddenly-embracing-ai\/","title":{"rendered":"Why are respected film-makers suddenly embracing AI?"},"content":{"rendered":"

From Soderbergh to Aronofsky, esteemed Hollywood directors are starting to find ways to include artificial intelligence in the production of their films<\/p>\n

In Steven Soderbergh\u2019s beguiling new movie The Christophers<\/a>, a reclusive artist (Ian McKellen) tangles with the quiet art forger (Michaela Coel) who his greedy children have hired to secretly finish further entries in a well-known painting series. The movie is smart and provocative about the nature of artistry and authorship, exploring what it means to create \u2013 and to stop creating. It\u2019s especially fascinating coming from Soderbergh, who has made movies with workhorse dependability (The Christophers is his third theatrical release of the past 18 months) and also spent four years retired from directing features entirely.<\/p>\n

It also provides particularly jarring context for Soderbergh, in interviews promoting the film, to voice his interest in something that a lot of great artists have pointedly refused to embrace: using AI in films. Soderbergh mentioned in an interview<\/a> with Filmmaker Magazine that he used what sounds like generative AI to produce \u201cthematically surreal images that occupy a dream space rather than a literal space\u201d for his upcoming documentary about John Lennon and Yoko Ono. He also said that a movie he\u2019s hoping to make about the Spanish-American war would use \u201ca lot of AI\u201d. In a subsequent conversation<\/a> with Variety, Soderbergh didn\u2019t sound like an AI evangelist, but nor did he back down: \u201cI don\u2019t think it\u2019s the solution to everything, and I don\u2019t think it\u2019s the death of everything. We\u2019re in the very early stages. Five years from now, we all may be going, \u2018That was a fun phase.\u2019 We may end up not using it as much as we thought we were going to.\u201d<\/p>\n

Continue reading…<\/a>
\nFrom Soderbergh to Aronofsky, esteemed Hollywood directors are starting to find ways to include artificial intelligence in the production of their films
\nIn Steven Soderbergh\u2019s beguiling new movie The Christophers, a reclusive artist (Ian McKellen) tangles with the quiet art forger (Michaela Coel) who his greedy children have hired to secretly finish further entries in a well-known painting series. The movie is smart and provocative about the nature of artistry and authorship, exploring what it means to create \u2013 and to stop creating. It\u2019s especially fascinating coming from Soderbergh, who has made movies with workhorse dependability (The Christophers is his third theatrical release of the past 18 months) and also spent four years retired from directing features entirely.
\nIt also provides particularly jarring context for Soderbergh, in interviews promoting the film, to voice his interest in something that a lot of great artists have pointedly refused to embrace: using AI in films. Soderbergh mentioned in an interview with Filmmaker Magazine that he used what sounds like generative AI to produce \u201cthematically surreal images that occupy a dream space rather than a literal space\u201d for his upcoming documentary about John Lennon and Yoko Ono. He also said that a movie he\u2019s hoping to make about the Spanish-American war would use \u201ca lot of AI\u201d. In a subsequent conversation with Variety, Soderbergh didn\u2019t sound like an AI evangelist, but nor did he back down: \u201cI don\u2019t think it\u2019s the solution to everything, and I don\u2019t think it\u2019s the death of everything. We\u2019re in the very early stages. Five years from now, we all may be going, \u2018That was a fun phase.\u2019 We may end up not using it as much as we thought we were going to.\u201d Continue reading…Technology | The Guardian<\/p>\n","protected":false},"excerpt":{"rendered":"

From Soderbergh to Aronofsky, esteemed Hollywood directors are starting to find ways to include artificial intelligence in the production of their films In Steven Soderbergh\u2019s beguiling new movie The Christophers, a reclusive artist (Ian McKellen) tangles with the quiet art forger (Michaela Coel) who his greedy children have hired to secretly finish further entries in …<\/p>\n

Why are respected film-makers suddenly embracing AI?<\/span> Read More »<\/a><\/p>\n","protected":false},"author":0,"featured_media":22786,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts\/22785"}],"collection":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/comments?post=22785"}],"version-history":[{"count":0,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts\/22785\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/media\/22786"}],"wp:attachment":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/media?parent=22785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/categories?post=22785"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/tags?post=22785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}