{"id":2613,"date":"2021-08-26T08:44:22","date_gmt":"2021-08-26T06:44:22","guid":{"rendered":"https:\/\/costops.com\/index.php\/2021\/08\/26\/demonic-review-neill-blomkamps-sci-fi-horror-is-pure-pulp\/"},"modified":"2021-08-26T08:44:22","modified_gmt":"2021-08-26T06:44:22","slug":"demonic-review-neill-blomkamps-sci-fi-horror-is-pure-pulp","status":"publish","type":"post","link":"http:\/\/costops.com\/index.php\/2021\/08\/26\/demonic-review-neill-blomkamps-sci-fi-horror-is-pure-pulp\/","title":{"rendered":"Demonic review \u2013 Neill Blomkamp\u2019s sci-fi horror is pure pulp"},"content":{"rendered":"

The director\u2019s third film \u2013 in which a daughter enters the virtual mind of her serial killer mother \u2013 is so-so compared to his earlier efforts<\/p>\n

After the mega-budget blowouts of 2013\u2019s Elysium<\/a> (which had some tried-and-tested ideas rattling around inside it) and 2015\u2019s Chappie<\/a> (which had Die Antwoord), this so-so shocker finds mooted multiplex saviour Neill Blomkamp recalibrating his disc space and career prospects. Operating with TV-movie production values and nary a single familiar face among its 10-strong cast, it\u2019s a small, manageable, patchily inspired genre piece that unpicks the fraught relationship between a daughter, her convict mother, and a medical tech firm instigating an altogether unhappy reunion.<\/p>\n

Much of Demonic suggests a sometime \u201cvisionary director\u201d who has turned to streaming-bound work-for-hire to make ends meet; it\u2019s cautiously compiled, competent work-for-hire, but the wild swings and grand designs of this film-maker\u2019s earlier output are sorely missed. It\u2019s at its most Blomkampian early on, with the integration of effects into the plot: our heroine Carly (Carly Pope) submits to \u201cvolumetric capture\u201d (essentially mo-cap 2.0) so she can enter a virtual-world simulation that will allow her to interact with her comatose mum. Inevitably, this passage into a digital wonderland is preceded with dire warnings as to what might happen if memories slip out of sync, and inevitably, the simulation doesn\u2019t run as smoothly as hoped. Partly this is due to the vast reserves of anger Carly ports into this virtual realm, partly due to the proximity of a giant skeletal hellbeast. These scenes have a distinctive, hyperreal look (and presumably blew the budget), rotoscoping over the uncanny-valley glitches that have blighted countless blockbusters. This time, the glitches are deliberate: the aim is to unsettle.<\/p>\n

Continue reading…<\/a>
\nThe director\u2019s third film \u2013 in which a daughter enters the virtual mind of her serial killer mother \u2013 is so-so compared to his earlier efforts
\nAfter the mega-budget blowouts of 2013\u2019s Elysium (which had some tried-and-tested ideas rattling around inside it) and 2015\u2019s Chappie (which had Die Antwoord), this so-so shocker finds mooted multiplex saviour Neill Blomkamp recalibrating his disc space and career prospects. Operating with TV-movie production values and nary a single familiar face among its 10-strong cast, it\u2019s a small, manageable, patchily inspired genre piece that unpicks the fraught relationship between a daughter, her convict mother, and a medical tech firm instigating an altogether unhappy reunion.
\nMuch of Demonic suggests a sometime \u201cvisionary director\u201d who has turned to streaming-bound work-for-hire to make ends meet; it\u2019s cautiously compiled, competent work-for-hire, but the wild swings and grand designs of this film-maker\u2019s earlier output are sorely missed. It\u2019s at its most Blomkampian early on, with the integration of effects into the plot: our heroine Carly (Carly Pope) submits to \u201cvolumetric capture\u201d (essentially mo-cap 2.0) so she can enter a virtual-world simulation that will allow her to interact with her comatose mum. Inevitably, this passage into a digital wonderland is preceded with dire warnings as to what might happen if memories slip out of sync, and inevitably, the simulation doesn\u2019t run as smoothly as hoped. Partly this is due to the vast reserves of anger Carly ports into this virtual realm, partly due to the proximity of a giant skeletal hellbeast. These scenes have a distinctive, hyperreal look (and presumably blew the budget), rotoscoping over the uncanny-valley glitches that have blighted countless blockbusters. This time, the glitches are deliberate: the aim is to unsettle. Continue reading…Technology | The Guardian<\/p>\n","protected":false},"excerpt":{"rendered":"

The director\u2019s third film \u2013 in which a daughter enters the virtual mind of her serial killer mother \u2013 is so-so compared to his earlier efforts After the mega-budget blowouts of 2013\u2019s Elysium (which had some tried-and-tested ideas rattling around inside it) and 2015\u2019s Chappie (which had Die Antwoord), this so-so shocker finds mooted multiplex …<\/p>\n

Demonic review \u2013 Neill Blomkamp\u2019s sci-fi horror is pure pulp<\/span> Read More »<\/a><\/p>\n","protected":false},"author":0,"featured_media":2614,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts\/2613"}],"collection":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/comments?post=2613"}],"version-history":[{"count":0,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts\/2613\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/media\/2614"}],"wp:attachment":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/media?parent=2613"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/categories?post=2613"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/tags?post=2613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}