{"id":3633,"date":"2021-11-10T08:40:08","date_gmt":"2021-11-10T07:40:08","guid":{"rendered":"http:\/\/costops.com\/index.php\/2021\/11\/10\/so-thats-how-you-do-an-eating-scene-how-tiktok-swallowed-the-movies\/"},"modified":"2021-11-10T08:40:08","modified_gmt":"2021-11-10T07:40:08","slug":"so-thats-how-you-do-an-eating-scene-how-tiktok-swallowed-the-movies","status":"publish","type":"post","link":"http:\/\/costops.com\/index.php\/2021\/11\/10\/so-thats-how-you-do-an-eating-scene-how-tiktok-swallowed-the-movies\/","title":{"rendered":"So that\u2019s how you do an eating scene! How TikTok swallowed the movies"},"content":{"rendered":"<p>The film side of TikTok has plenty of spoofs. But our writer prefers the critics, the metal-jawed burger-biting machine \u2013 and the effects experts revealing how to make a camera crew vanish into thin air<\/p>\n<p>Film TikTok is giving film an explosion of energy, a performative and democratised version of cinephilia that celebrates, imitates, teases, lip-syncs, mashes up and mocks \u2013 but all the time rubs up against \u2013 the movies. Susan Sontag, in Against Interpretation, called for a rich, intuitive kind of criticism that celebrates and reproduces the sensuous effect of art, instead of imposing a coldly pedagogic analysis. I think she\u2019d have loved Film TikTok. And it\u2019s happened over just a few years, propelled by people under the age of 25.<\/p>\n<p>Apart from everything else, Film TikTok may be undermining one of the most fundamental tenets of cinema: that the screen has to be \u201clandscape\u201d style, since anything else looks amateurish and inauthentic. British film-maker Charlie Shackleton <a href=\"https:\/\/www2.bfi.org.uk\/news-opinion\/sight-sound-magazine\/video\/tiktok-movie-criticism-charlie-lyne-phone-video-essay\">recently <\/a>talked about mentoring a group of young Australian critics and finding how utterly steeped they were in the language of TikTok: asked to take a picture of them on his phone, he recalls his chagrin for turning it sideways \u2013 \u201cLike a fucking Lumiere brother!\u201d<\/p>\n<p>Jean-Luc Godard collaged the movies in his epic essay project: Histoire(s) du Cin\u00e9ma. And Film TikTok is doing something comparable, though without the conspicuous cultural weight and heft. It\u2019s appropriating constituent elements and scenes then reshuffling them, or cutting in new goofy re-enactments. This juxtaposition is a critical act. Overwhelmingly, it\u2019s driven by humour and comedy, and Film TikTok incidentally adores the key TikTok trope of the doppelganger \u2014 the shot-reverse-shot of the same people talking to themselves as different characters, shot slightly from below to underline the absurdity.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/film\/2021\/nov\/10\/so-thats-how-you-do-an-eating-scene-how-tiktok-swallowed-the-movies\">Continue reading&#8230;<\/a><br \/>\n<img src=\"https:\/\/i.guim.co.uk\/img\/media\/0e0d8ee834b642fe1112e00ce8d7752a76497a52\/0_0_2560_1536\/master\/2560.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f19f92efb97a87cd2dd6ef4078f05812\" title=\"So that\u2019s how you do an eating scene! How TikTok swallowed the movies\" \/>The film side of TikTok has plenty of spoofs. But our writer prefers the critics, the metal-jawed burger-biting machine \u2013 and the effects experts revealing how to make a camera crew vanish into thin air<br \/>\nFilm TikTok is giving film an explosion of energy, a performative and democratised version of cinephilia that celebrates, imitates, teases, lip-syncs, mashes up and mocks \u2013 but all the time rubs up against \u2013 the movies. Susan Sontag, in Against Interpretation, called for a rich, intuitive kind of criticism that celebrates and reproduces the sensuous effect of art, instead of imposing a coldly pedagogic analysis. I think she\u2019d have loved Film TikTok. And it\u2019s happened over just a few years, propelled by people under the age of 25.<br \/>\nApart from everything else, Film TikTok may be undermining one of the most fundamental tenets of cinema: that the screen has to be \u201clandscape\u201d style, since anything else looks amateurish and inauthentic. British film-maker Charlie Shackleton recently talked about mentoring a group of young Australian critics and finding how utterly steeped they were in the language of TikTok: asked to take a picture of them on his phone, he recalls his chagrin for turning it sideways \u2013 \u201cLike a fucking Lumiere brother!\u201dJean-Luc Godard collaged the movies in his epic essay project: Histoire(s) du Cin\u00e9ma. And Film TikTok is doing something comparable, though without the conspicuous cultural weight and heft. It\u2019s appropriating constituent elements and scenes then reshuffling them, or cutting in new goofy re-enactments. This juxtaposition is a critical act. Overwhelmingly, it\u2019s driven by humour and comedy, and Film TikTok incidentally adores the key TikTok trope of the doppelganger \u2014 the shot-reverse-shot of the same people talking to themselves as different characters, shot slightly from below to underline the absurdity. Continue reading&#8230;Technology | The Guardian<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The film side of TikTok has plenty of spoofs. But our writer prefers the critics, the metal-jawed burger-biting machine \u2013 and the effects experts revealing how to make a camera crew vanish into thin air Film TikTok is giving film an explosion of energy, a performative and democratised version of cinephilia that celebrates, imitates, teases, &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"http:\/\/costops.com\/index.php\/2021\/11\/10\/so-thats-how-you-do-an-eating-scene-how-tiktok-swallowed-the-movies\/\"> <span class=\"screen-reader-text\">So that\u2019s how you do an eating scene! How TikTok swallowed the movies<\/span> Read More &raquo;<\/a><\/p>\n","protected":false},"author":0,"featured_media":3634,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts\/3633"}],"collection":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/comments?post=3633"}],"version-history":[{"count":0,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts\/3633\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/media\/3634"}],"wp:attachment":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/media?parent=3633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/categories?post=3633"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/tags?post=3633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}