{"id":4905,"date":"2022-02-28T13:37:04","date_gmt":"2022-02-28T12:37:04","guid":{"rendered":"https:\/\/costops.com\/index.php\/2022\/02\/28\/runner-up-observer-anthony-burgess-prize-for-arts-journalism-2022-laura-de-lisle-on-critical-role-campaign-2-episode-141\/"},"modified":"2022-02-28T13:37:04","modified_gmt":"2022-02-28T12:37:04","slug":"runner-up-observer-anthony-burgess-prize-for-arts-journalism-2022-laura-de-lisle-on-critical-role-campaign-2-episode-141","status":"publish","type":"post","link":"http:\/\/costops.com\/index.php\/2022\/02\/28\/runner-up-observer-anthony-burgess-prize-for-arts-journalism-2022-laura-de-lisle-on-critical-role-campaign-2-episode-141\/","title":{"rendered":"Runner-up: Observer\/Anthony Burgess prize for arts journalism 2022 \u2013 Laura de Lisle on Critical Role, Campaign 2, Episode 141"},"content":{"rendered":"<p>The runner-up enjoys a seven-hour episode of the livestreaming phenomenon in which voice actors role-play wizards, warlocks and goblin in a game of Dungeons &amp; Dragons<\/p>\n<ul>\n<li><a href=\"https:\/\/www.theguardian.com\/culture\/observer-anthony-burgess-prize-for-arts-journalism\">Read the rest of this year\u2019s entries<\/a><\/li>\n<\/ul>\n<p><em>Laura de Lisle is a theatre critic for <\/em><em>The Arts Desk<\/em><em> and a freelance writer, currently working on a play about an obscure German poet. They live in London<\/em><\/p>\n<p>Objectively, the final episode of <em>Critical Role<\/em>\u2019s second campaign is too long. Brilliant, but too long. Seven hours and two minutes, to be exact, with a 15-minute break. A full night\u2019s rest (ish) and almost a long rest in <em>Dungeons &amp; Dragons<\/em> \u2013 but we\u2019re getting ahead of ourselves. Context is critical.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/culture\/2022\/feb\/28\/runner-up-observer-anthony-burgess-prize-for-arts-journalism-2022-laura-de-lisle-on-critical-role-campaign-2-episode-141\">Continue reading&#8230;<\/a><br \/>\n<img src=\"https:\/\/i.guim.co.uk\/img\/media\/b7f4dcca1e49264b6926a250eb192f3a79b310b0\/48_18_1155_693\/master\/1155.png?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4379ee6433409ad1ba9e80559a0dfdcd\" title=\"Runner-up: Observer\/Anthony Burgess prize for arts journalism 2022 \u2013 Laura de Lisle on Critical Role, Campaign 2, Episode 141\" \/>The runner-up enjoys a seven-hour episode of the livestreaming phenomenon in which voice actors role-play wizards, warlocks and goblin in a game of Dungeons &amp; Dragons<br \/>\nRead the rest of this year\u2019s entries<br \/>\nLaura de Lisle is a theatre critic for The Arts Desk and a freelance writer, currently working on a play about an obscure German poet. They live in London<br \/>\nObjectively, the final episode of Critical Role\u2019s second campaign is too long. Brilliant, but too long. Seven hours and two minutes, to be exact, with a 15-minute break. A full night\u2019s rest (ish) and almost a long rest in Dungeons &amp; Dragons \u2013 but we\u2019re getting ahead of ourselves. Context is critical. Continue reading&#8230;Technology | The Guardian<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The runner-up enjoys a seven-hour episode of the livestreaming phenomenon in which voice actors role-play wizards, warlocks and goblin in a game of Dungeons &amp; Dragons Read the rest of this year\u2019s entries Laura de Lisle is a theatre critic for The Arts Desk and a freelance writer, currently working on a play about an &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"http:\/\/costops.com\/index.php\/2022\/02\/28\/runner-up-observer-anthony-burgess-prize-for-arts-journalism-2022-laura-de-lisle-on-critical-role-campaign-2-episode-141\/\"> <span class=\"screen-reader-text\">Runner-up: Observer\/Anthony Burgess prize for arts journalism 2022 \u2013 Laura de Lisle on Critical Role, Campaign 2, Episode 141<\/span> Read More &raquo;<\/a><\/p>\n","protected":false},"author":0,"featured_media":4906,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts\/4905"}],"collection":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/comments?post=4905"}],"version-history":[{"count":0,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts\/4905\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/media\/4906"}],"wp:attachment":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/media?parent=4905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/categories?post=4905"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/tags?post=4905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}