{"id":6509,"date":"2022-07-29T15:36:20","date_gmt":"2022-07-29T13:36:20","guid":{"rendered":"https:\/\/costops.com\/index.php\/2022\/07\/29\/venice-dance-biennale-review-wayne-mcgregor-delivers-sinners-and-shapeshifters\/"},"modified":"2022-07-29T15:36:20","modified_gmt":"2022-07-29T13:36:20","slug":"venice-dance-biennale-review-wayne-mcgregor-delivers-sinners-and-shapeshifters","status":"publish","type":"post","link":"http:\/\/costops.com\/index.php\/2022\/07\/29\/venice-dance-biennale-review-wayne-mcgregor-delivers-sinners-and-shapeshifters\/","title":{"rendered":"Venice Dance Biennale review \u2013 Wayne McGregor delivers sinners and shapeshifters"},"content":{"rendered":"

The British choreographer\u2019s programme includes beguiling digital dance created by Tobias Gremmler, a reckoning with desire from Roc\u00edo Molina and seven visions of vice<\/p>\n

Leonora Carrington is a guiding spirit of the 2022 Venice Art Biennale, where the main exhibition borrows the title of her book for children, The Milk of Dreams. The great surrealist\u2019s untethered hybrid figures are also evoked in Tobias Gremmler\u2019s hypnotic digital artwork Fields<\/strong> (\u2605\u2605\u2605\u2605\u2606<\/strong>), shown as part of the Dance Biennale directed by Wayne McGregor. The festival\u2019s overall theme is \u201cboundary-less\u201d and serves as a rebuttal of any parochial destiny for Brexitland dance as well as a reaffirmation of international collaboration and the merging of artforms with new technologies.<\/p>\n

The shapeshifting virtual dancers that Gremmler has created for his scenographic installation are cast over parallel gauze screens. These looped sequences find wispy bodies slowly forming to give the briefest of solos, duets and group dances before dissolving within a swirl of motion that abstractly conjures twisting cords of sinew and flowing hair. As the energy builds, dissipates and resurges, it gradually comes to resemble a series of life cycles, one ethereal dance after another within a vortex of space and time.<\/p>\n

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\nThe British choreographer\u2019s programme includes beguiling digital dance created by Tobias Gremmler, a reckoning with desire from Roc\u00edo Molina and seven visions of vice
\nLeonora Carrington is a guiding spirit of the 2022 Venice Art Biennale, where the main exhibition borrows the title of her book for children, The Milk of Dreams. The great surrealist\u2019s untethered hybrid figures are also evoked in Tobias Gremmler\u2019s hypnotic digital artwork Fields (\u2605\u2605\u2605\u2605\u2606), shown as part of the Dance Biennale directed by Wayne McGregor. The festival\u2019s overall theme is \u201cboundary-less\u201d and serves as a rebuttal of any parochial destiny for Brexitland dance as well as a reaffirmation of international collaboration and the merging of artforms with new technologies.
\nThe shapeshifting virtual dancers that Gremmler has created for his scenographic installation are cast over parallel gauze screens. These looped sequences find wispy bodies slowly forming to give the briefest of solos, duets and group dances before dissolving within a swirl of motion that abstractly conjures twisting cords of sinew and flowing hair. As the energy builds, dissipates and resurges, it gradually comes to resemble a series of life cycles, one ethereal dance after another within a vortex of space and time. Continue reading…Technology | The Guardian<\/p>\n","protected":false},"excerpt":{"rendered":"

The British choreographer\u2019s programme includes beguiling digital dance created by Tobias Gremmler, a reckoning with desire from Roc\u00edo Molina and seven visions of vice Leonora Carrington is a guiding spirit of the 2022 Venice Art Biennale, where the main exhibition borrows the title of her book for children, The Milk of Dreams. The great surrealist\u2019s …<\/p>\n

Venice Dance Biennale review \u2013 Wayne McGregor delivers sinners and shapeshifters<\/span> Read More »<\/a><\/p>\n","protected":false},"author":0,"featured_media":6510,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts\/6509"}],"collection":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/comments?post=6509"}],"version-history":[{"count":0,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts\/6509\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/media\/6510"}],"wp:attachment":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/media?parent=6509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/categories?post=6509"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/tags?post=6509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}