{"id":663,"date":"2021-02-25T15:05:30","date_gmt":"2021-02-25T14:05:30","guid":{"rendered":"http:\/\/costops.com\/index.php\/2021\/02\/25\/panto-hits-las-vegas-how-livestreaming-is-transforming-the-stage\/"},"modified":"2021-02-25T15:05:30","modified_gmt":"2021-02-25T14:05:30","slug":"panto-hits-las-vegas-how-livestreaming-is-transforming-the-stage","status":"publish","type":"post","link":"http:\/\/costops.com\/index.php\/2021\/02\/25\/panto-hits-las-vegas-how-livestreaming-is-transforming-the-stage\/","title":{"rendered":"Panto hits Las Vegas! How livestreaming is transforming the stage"},"content":{"rendered":"<p>It was meant to provide theatres with a lifeline during Covid. But livestreaming is now giving them extraordinary reach. Can it be sustained \u2013 and could it turn out to be a new existential threat?<\/p>\n<p>As Christmas season dawned at the end of last year, two American critics had a crash course in that most British of theatre traditions, pantomime, dropping in remotely to eight shows for the New York Times. \u201cI felt like an ethnographer studying a foreign culture\u2019s strange ceremonies,\u201d <a href=\"https:\/\/www.nytimes.com\/2020\/12\/24\/theater\/pantomimes-british-christmas-tradition.html\">wrote one<\/a>, while the other enjoyed the peppering of Covid-related jokes, including the insertion of \u201cfiiiiiive toilet rolls\u201d into The 12 Days of Christmas.<\/p>\n<p>The song featured in <a href=\"https:\/\/www.theguardian.com\/stage\/2020\/dec\/14\/oh-yes-we-are-review-panto-perth-theatre-online-broadcast\">Oh Yes We Are!<\/a>, Perth theatre\u2019s four-scene mini-panto intended for small groups in a promenade performance, after the first lockdown made its Cinderella, on a conventional stage, impossible. But just as rehearsals were due to begin, new restrictions forced it online. <\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/stage\/2021\/feb\/25\/panto-vegas-livestreaming-transforming-stage-covid-threat\">Continue reading&#8230;<\/a><br \/>\n<img src=\"https:\/\/i.guim.co.uk\/img\/media\/dfc8b65068c6579030e09738ee2403570d519a3f\/430_83_2316_1390\/master\/2316.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a776cfda50707e357d719282a02fff4c\" title=\"Panto hits Las Vegas! How livestreaming is transforming the stage\" \/>It was meant to provide theatres with a lifeline during Covid. But livestreaming is now giving them extraordinary reach. Can it be sustained \u2013 and could it turn out to be a new existential threat?<br \/>\nAs Christmas season dawned at the end of last year, two American critics had a crash course in that most British of theatre traditions, pantomime, dropping in remotely to eight shows for the New York Times. \u201cI felt like an ethnographer studying a foreign culture\u2019s strange ceremonies,\u201d wrote one, while the other enjoyed the peppering of Covid-related jokes, including the insertion of \u201cfiiiiiive toilet rolls\u201d into The 12 Days of Christmas.<br \/>\nThe song featured in Oh Yes We Are!, Perth theatre\u2019s four-scene mini-panto intended for small groups in a promenade performance, after the first lockdown made its Cinderella, on a conventional stage, impossible. But just as rehearsals were due to begin, new restrictions forced it online.  Continue reading&#8230;Technology | The Guardian<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It was meant to provide theatres with a lifeline during Covid. But livestreaming is now giving them extraordinary reach. Can it be sustained \u2013 and could it turn out to be a new existential threat? As Christmas season dawned at the end of last year, two American critics had a crash course in that most &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"http:\/\/costops.com\/index.php\/2021\/02\/25\/panto-hits-las-vegas-how-livestreaming-is-transforming-the-stage\/\"> <span class=\"screen-reader-text\">Panto hits Las Vegas! How livestreaming is transforming the stage<\/span> Read More &raquo;<\/a><\/p>\n","protected":false},"author":0,"featured_media":664,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts\/663"}],"collection":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/comments?post=663"}],"version-history":[{"count":0,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/posts\/663\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/media\/664"}],"wp:attachment":[{"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/media?parent=663"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/categories?post=663"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/costops.com\/index.php\/wp-json\/wp\/v2\/tags?post=663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}